Doryphoros By Polykleitos Essays - Polykleitos, Doryphoros

Doryphoros By Polykleitos Doryphoros by Polykleitos Sculptors of the Early and High Classical Grecian periods in art strived for perfection in creating the human form. They combined such features such as regular facial features, smooth skin, and particular body portions into an ideal of perfect beauty. Much as modern day advertisement has idealized the slender model as the new perfect female form. One such artist of the time was named Polykleitos of Argos. He was a well-known sculptor and art theorist. His aim in sculpting was to produce the perfect human figure using a mathematical equation to sculpt the body parts. It is believed that he used a basic unit ratio to measure the rest of the body parts. He set down his theory on the human for in a treatise known as ?The Canon? and created a larger than life size sculpture he named ?Doryphoros? and is now called ?The Spear Bearer.? Unfortunately nobody knows exactly what that unit of measurement was because neither his treatise nor his statue survived the centuries. The Spear Bearer was created out of bronze, a popular medium at the time because of the ability to show more movement in bronze than in marble, which was the traditional medium. The Spear Bearer was one of the earliest statues to be show in the fully developed contraposto position. Earlier Greek artisans came up with the idea of contraposto. This is where all the weight of the figure in question appears to put all its weight onto one leg. This technique makes Doryphoros appear to be relaxed but a certain tension is there and he is ready to spring into action at a moment's notice. Polykleitos combined this with a system called chiastic balance or cross balance where there is an active-passive sense of balance. The right arm of The Spear Bearer is relaxed and languid at his side while the left has tension from holding the spear over his shoulder. His right leg the opposite of the right arm and tensed to support the weight of the body, while the left leg relaxes with his heel up, ready to take a step if need be. The hips as well are offset and the head faces the opposite direction fully illustrating this counter balance technique. Doryphoros seems to have been considerable influenced by The Warrior in 460 BC found off the sea of Italy, and also by the Kritios Boy of 480 BC. The Kritios Boy was the earliest of the Greek statues to attempt to illustrate the contraposto position. It is much less stylized and the sculptor did not use a mathematical composition. The Warrior was also an earlier example of contraposto. It was also sculpted in a bronze medium. The Spear Bearer has taken the same position as The Warrior with respect to the arms legs and hips, and it differs in that Doryphoros further illustrates contraposto by lifting the heel of the left foot. Because of the foot placement The Warrior seems to have taken a more active position than the Spear Bearer has. . The Spear Bearer influenced the later work called the Augustus of Primaporta in 20 BC. It too was a larger than life statue using the body proportions prescribed by Polykleitos, and it is in the contraposto position. It is different by being clothed in the traditional Roman emperor's garb. Doryphoros defined the perfect male athlete and was copied for centuries by Greek and later Roman artisans, and was later revived after a long intermission in the Renaissance

The Sixth Sense - Mise en Scene essays

The Sixth Sense - Mise en Scene essays Malcolm Crowe (Bruce Willis) is a psychologist who has just earned an award from the mayor for his efforts with children. On the night that Malcolm and his wife, Anna (Olivia Williams), are celebrating; they arrive home to find an intruder, Vincent Gray (Donnie Wahlberg), in their bathroom. Vincent is one of Malcolms former patients, and after rambling about Malcolm's faults as a psychologist, he brandishes a gun, then shoots himself and Malcolm. The next fall, Malcolm has recovered from his wounds physically but not emotionally. A gulf has developed between him and his wife. The once-loving couple hardly talks and he suspects that she's having an affair. As a way of getting rid of his guilt, Malcolm begins to work with 9-year old Cole Sear (Haley Joel Osment), a boy who shows similar problems to those displayed by Vincent Gray at that age. Malcolm is determined to accomplish for Cole what he could not do for his former patient. But the task he has set for himself is not an easy one. Cole sees and hears things that others cannot, and he is afraid to open up to his mother, Lynn (Toni Collette), for fear that she will think he's a freak. After Cole is locked in a closet and then hospitalized, he tells Malcolm his secretthat he can see and communicate with the dead. Malcolm helps Cole come to terms with his gift and to open up to his mother; and (in a twist of the storyline) Malcolm comes to the realization that he himself; was killed the night Vincent shot him. Written and directed by M. Night Shyamalan, and produced by Sam Mercer, Kathleen Kennedy, Frank Marshall, and Barry Mendel. Original music was composed by James Newton Howard, Editing was done by Andrew Mondshein, and Tak Fujimoto was the cinematographer. The film is set in Philadelphia, which is M. Night Shyamalans hometown. The movie could have bee set in any New England style town; but in one scene when Cole is at school, his teach...

Mechanical Engineer Technology Career Investigation Report Essay

Mechanical Engineer Technology Career Investigation Report - Essay Example My career objectives on graduation includes to develop to professional height that demands skills, capabilities, efficiency, and responsibility developed through my professional study. To demonstrate integrity, honesty, commitment and excellence. To practice legally and facilitate the growth of employer and grow with it. I developed interest in knowing how things work at a very young age from my toys some of which operated just with a press of a button. This always obsessed me to the level of dismantling them in trying to understand the mechanisms behind their operation. My desire to invent equipments that can make our world to be a better place is still dominant in me and I always wish to come up with new technology and improve the existing ones. One of my biggest strength is drawing ability, out of which I won many awards in high school, mathematics, computer programming, designing objects at my level and trying to improve the previous ones. I wish to have a chance to explore these

Business Proposal for Proposed a New Product in the Market Named as Term Paper

Business Proposal for Proposed a New Product in the Market Named as TECTEL - Term Paper Example I-sensor (intruder sensor device) will run on a broad level of production. This will enable the creation of more industries to increase the knowledgeability of the product among its consumers in the market (Holtz, 1990, 57). The number of workers ought to be standardized in order to allow the creation of more products for sales. This will ensure that the I-sensor machine dominates the market for a long time, thus; more sales for the product. The market size should be able to participate rapidly with the existing market as well as large enough with an opportunity to establish them. Most markets investors, shareholders and senior managers are often skeptical to invest resources because, since the markets do not yet exist, the markets may be too small, or not exist at all. The team requirements for I-sensor will be should aim at working achieving the main objectives of the TECTEL Company. Therefore, there should be the inspiration team carries out activities that create an effective atm osphere amongst workforces. The group’s tasks can incorporate actions such as hosting servant lunches, planning association picnics, fundraising for poor workers, and fundraising for philanthropic causes. The safety and ecological group ensure the security of workforces in the workplace. The team takes the lead in security teaching and how to use the I-sensor, scheduled safety conferences, and the reviewing of maintenance, safety, and office union. The employee wellness team emphasizes on health and suitability for all employees (Holtz, 1990, 77). Culture and Communication Team works to describe and generate the defined company culture required for the accomplishment of your organization. According to Holtz, (1990, 102), the team also nurtures dual communication in your business to guarantee employee participation up to the chain of command. The team may champion the monthly bulletin, a weekly company appraise, quarterly employee gratification surveys, and an employee proposi tion process. Start several company teams, such as these, and support their triumph.     

How to Take Care a Dachshund Essay Example for Free

How to Take Care a Dachshund Essay 1. Learn how to hold your dachshund. You cant hold them like normal dogs because of their long backs. Hold their ends while supporting their back with your other hand. Although its an awkward position at first, after a while you will get used to it. Practice with something light first because you may hurt your dachshund. Make sure you never hold them by their paws or head. 2. Dont let them climb stairs or go down stairs. When dachshunds climb stairs, it puts pressure on their backs because of their height. Their backs bend the wrong way. When they go down stairs, a lot of pressure is placed on the discs with each step. Always carry them when youd like them to come upstairs or downstairs. a. Put a baby gate up to keep them off the stairs and from being their naturally-curious selves. 3. Get a light leash. If your dachshunds leash is too heavy, you will end up lugging the dog around the block instead of taking him for a walk. Make sure that your leash is made out of light material, and that the metal clips arent too big. A good choice of a leash is one specifically made for smaller dogs. 4. House train them. Start off with getting them to urinate on eco friendly puppy pads or newspaper. Then, gradually put less and less newspaper on the floor. Once all the paper is gone, take them for walks. Reward them if they do their business. Whenever they mark their territory outside, say, Good dog, good duty. Good Fito. Of course, replace Fito with your dogs name. b. Make sure that when you reward them, you say their name along with good dog. This makes them associate their name with good dog, so theyll consider themselves a good dog. c. If you punish your dog, dont say their name along with bad dog. This will make them believe their name means bad dog, which is not a good thing. 5. Brush their teeth. Start off by rubbing their teeth with meat. (It sounds weird, of course!) This will make them comfortable with your hands in their mouth. Then use dog toothpaste. This must be done at a young age. 6. Give them toys. This is especially important while your dog is teething. Theyll want to chew on something, and if you dont supply them, theyll pick a nice Italian shoe out of your closet instead. 7. Let your dog run. Because of their short legs, they need to run around often. If they do not exercise, they will become overweight. This is especially bad for dachshunds because their stomachs weigh down their backs. If your dachshund becomes obese, they will most likely encounter back problems as well. 8. Dont let your dachshund jump. Even though it may look extremely cute, this is also bad for their backs. If they can stand up on their hind legs, this is okay. If they jump very high and fall back down, dont let them do it. d. Dont let them sit up on their hindquarters. Again, its very cute, but it puts a lot of pressure on the discs in the back. 9. Clip you dogs nails. Buy a special tool for this, since you dont want to hit the quick. If you dont think you can do this, leave it to the vet. 10. Wash your dog. Use special dog shampoo for this. Unless your dog has a skin problem, there is no need to wash him or her other than for your own enjoyment, although its probably also good for your dachs. Shoot to wash him or her every couple of months. 11. Brush your dog. Make sure you pay special attention to the stomach and ears. Make sure your dog doesnt get matted hair, as they are painful to your dog and hard to remove. 12. Do stuff with your dachshund! If you are interested in any dog sports, get your dachshund into them! Dachshunds can compete in conformation, agility, obedience, flyball, and much more! Dachshund Diet 1. Talk with your vet. Dachshunds need a special diet to maintain a healthy weight and a happy pup! The first week you get your dachshund, you should always go to the vet and get a checkup. While you are there, you should discuss what type of food your dachshund will be eating. * Make sure your commercial brand of dog food is not purchased at a grocery store! Most of the time, brands of dog food at grocery stores have a high fat content, high sodium content, and lots of preservatives and artificial flavors. You should purchase your dog food online from a trusted website or from your local pet supply and specialty store. * Which brand to choose is the hard question. Make sure your brand of food has no animal byproducts or artificial flavoring. You should try to steer clear of foods with corn and soy also. * Select a higher-quality brand. Better brands of dog food are usually more expensive, but that is not always the case. You may want to choose a brand of food that is formulated especially for dachshunds. Recommended brands of food are Fromm, Blue Buffalo, and Organix. There is also The Honest Kitchen and Dick Van Patterns Natural Balance. Last but not least, if you would like to purchase a food specially formulated for your dachshie, there is Eukanuba Dachshund Formula. * Look at the nutrition label, if the first and main ingredient isnt meat, it probably isnt the best food for any breed of dog. 2. Consider commercial brands. If you and your vet discuss it, and you decide to get a commercial brand of food, choose wisely. There are many brands of food out there, and some of them are very good, and others are very bad. 3. Never let your dachshund become overweight. This greatly increases the risk of IVDD (disc disease) and paralysis. If your dachs puts on weight, replace some of her food with canned pure pumpkin, which will help her to lose enough weight so that she has a nice, tucked waist. Tips * Discourage them from bad behaviors (nipping, barking, scratching, etc.) * Buy a comfortable harness or collar for your dog that is light. Make sure its not too tight. * Make sure to schedule regular vet appointments (two a year) to make sure your dog is up to date on exams and shots! * Give your dachshund lots of space if it is eating a bone. * Praise your dachshund if he or she does a very good job. And if it is working hard on something hard (like a treasure hunt) encourage your dachshund to do a good job. * Freeze Dried foods like Grandma Lucys are a great choice since they are high in protein, but low in fat and carbs. * Talk to your dachshund in a sing-song voice (if it is blind) Warnings * Only use special dog toothpaste when you brush your dachshunds teeth. * Take your dachshund to the vet every six months, even if there are no symptoms of disease. Dachshunds need their routine vaccinations, or just a checkup! * Dont let your dachshund get overweight, this can cause major back and health problems. * An unsocialized dachshund is not pleasant; get your dachshie socialized with other dogs and people! * Dachshunds nails are always dark, so be very careful when cutting them. Try not to hit the qwick (blood vessel in nail). * Consider buying health insurance for your pet. Dachshunds can be bold and daring a trait that can get them in trouble, often resulting in the two options: surgery or putting the dog down.

The Role Of Macronutrients

The Role Of Macronutrients In developed countries such as the UK, diets and lifestyles have changed dramatically since the end of the Second World War. Coronary heart disease (CHD) is the principal cause of death among adult men and women accounting for approximately ninety four thousand deaths (Diet, nutrition and the prevention of chronic diseases, WHO, 2003). The increase in the incidence of CVD is supported by evidence which suggests that the leading factors contributing to this condition are obesity, high blood pressure, psychological stress, poor cardiovascular system health, an unsuitable diet and tobacco and drug use (Diet, nutrition and the prevention of chronic diseases, WHO, 2003; BBC heath website; De Lorgeril et al, 1999). 33% of all deaths are believed to be caused by CVD with developing countries hit the hardest (Diet, nutrition and the prevention of chronic diseases, WHO, 2003) It is possible too that the developing world which includes countries like China, India, some middle east countries, A frica and South America will suffer large effect sizes in the incidence of CVD in the future. Macronutrients that increase the risk of CVD Various fatty acids including LDL cholesterol (low density lipoprotein) sometimes called saturated fatty acids, have been highlighted by many types of study as increasing the incidence of CVD among samples of the populations tested (De Lorgeril et al 1999; Diet, nutrition and the prevention of chronic diseases, WHO, 2003; BBC heath website, 2011). High blood cholesterol levels and CVD are strongly and positively correlated (BBC health website, 2011). Amongst these, myristic acid and palmitric acid have been found to increase the risk of CVD and are abundant in foods such as diary and meat products. Myristic acid is a common saturated fatty acid and can be found is foods such as coconut milk and butter oil as well as in animal fats. Palmitric acid is another saturated fatty acid and is commonly found in plant and animal fats as well as butter, cheese, milk and some meats. Trans-fatty acids are another risk factor for CVD and are found in the form of a monounsaturate and a polyunsatura te and have been found to increase LDL cholesterol (BBC health website, 2011). Folate (vitamin B9) and homocysteine (a  homologue the amino acid cysteine) have both been found to be risk factors for CVD (Diet, nutrition and the prevention of chronic diseases, WHO, 2003). However, both folic acid and homocysteine may be a consequence and not a cause of conditions such as arthrosclerosis (De Lorgeril et al, 1999; Diet, nutrition and the prevention of chronic diseases, WHO, 2003). High sodium content in the diet has been strongly correlated with CVD (De Lorgeril et al 1999; Diet, nutrition and the prevention of chronic diseases, WHO, 2003; BBC heath website, 2011). High blood pressure associated with excessive ingestion of sodium salts has been shown in many studies to be a predictor of myocardial infarction and subsequently increases the probability of both types of stroke with the greatest risk being among the male obese populations (BBC heath website; De Lorgeril et al 1999; Diet, nutrition and the prevention of chronic diseases, WHO, 2003). Macronutrients that decrease the risk of CVD Foods such as fresh vegetables, fruits, fish oils have been found to be effective in reducing the risk of CVD (Diet, nutrition and the prevention of chronic diseases, WHO, 2003; De Lorgeril et al 1999; BBC heath website). Polyunsaturated vegetable oils such as linoleic acid have been found to be promoters of low risk for CVD (De Lorgeril et al 1999; BBC heath website). Some fibres consist of polysaccharides and lignin which is a constituent of plant cells walls and aids water transport and structure. These types of fibre along with more traditional celluloses have been found to reduce the incidence of LDLs as part of a regular diet (Diet, nutrition and the prevention of chronic diseases, WHO, 2003). Wholegrains are another type of fibre that has in clinical trials been found to reduce the risk of CVD, this type of fibre is abundant in the cereal crops. Antioxidants are found in fresh fruit and vegetable and have been suggested to reduce the risk of CVD (Diet, nutrition and the preven tion of chronic diseases, WHO, 2003; De Lorgeril et al 1999; BBC heath website) however the evidence for this is not strong and the decreased risk of CVD may be due to other nutrients present in the food. For example, vitamin C, E and beta-carotene have all been studied for their potential positive effects on individuals at risk from myocardial infarction and stroke. The results of this research are as yet however inconclusive (Diet, nutrition and the prevention of chronic diseases, WHO, 2003). Flavonoids are also present in many plants and display anti-allergic, anti-cancer, anti-microbial and anti-inflammatory properties (Diet, nutrition and the prevention of chronic diseases, WHO, 2003). A negative correlation has been found between some flavonoids and incidence of CVD although methodological problems have been mentioned in such studies (Diet, nutrition and the prevention of chronic diseases, WHO, 2003). Potassium salts have been found in a number of cohort studies to be a protec tive factor in CVD an may measurably decrease systolic and diastolic blood pressure (De Lorgeril et al 1999; Diet, nutrition and the prevention of chronic diseases, WHO, 2003). Some of these studies found an inverse relationship between risk of a stroke and potassium salt ingestion as part of a regularly monitored diet. The essential fatty acids such as omega-3 have been found to be conducive to the reduction in the risk of CVD for a number of reasons including reducing triglycerides (a VLDL) which is associated with high incidence of atherosclerosis, heart disease and stroke (De Lorgeril, 1999). Omega 3 is an unsaturated fatty acid found in oily fish such as tuna and herring, other beneficial cardiovascular effects may be reduced blood clotting (helping to reduce aneurisms and other blockages) and possibly promoting heart beat regulation (BBC health website, 2011). Stanols and sterols are plant derived esters which have been found to reduce levels of LDL cholesterol in the blood supply of sample populations (BBC website, 2011). These types of esters can be found in fruits, vegetables, nuts, seeds, cereals, legumes, and vegetable oils and may help to reduce previously high levels of cholesterol. Moderate levels of alcohol have been found in some studies to reduce the risk of CVD (BBC website, 2011). This beneficial effect however is based upon the consumption of the no more than the recommended daily limit for a person of a given weight, height and age (BBC website, 2011). Alcohol ingestion has been correlated with increases in the beneficial HDL cholesterol. Pathophysiological processes that occur in relation to macronutrients and CVD The major pathophysiological change that may occur in the human body in relation to macronutrients or lack of is cardiovascular disease which may also be associated with obesity and diabetes (Poirier et al, 2006). Atherosclerosis is a disease of the arterial system in which the arterial vessels become blocked due to a build up of the LDL fats (atheromas or atherosclerotic plaques) which accumulate inside the epithelium of the vessel walls thus reducing the blood flow and increasing the risk of infarction (Merck medical library, 2008). All the factors already mentioned above have been strongly linked to atherosclerosis (tobacco smoke, long term saturated fat ingestion, diabetes, lack of exercise, stress and excessive levels of cholesterol in the blood supply). The vital organs are particularly vulnerable (heart, kidneys brain) as well as some not so vital areas like the arteries of the legs. (Merck medical library, 2008; Poirier et al, 2006). Subtle repeated injury to the arterial sys tem appears to be the main developmental factor leading to atherosclerosis, the artery gradually becomes thicker and loses its elastic ability, this leads to a situation where the blood is restricted and the heart is placed under greater and greater pressure due to the resistance in the increasingly furred arteries (Merck medical library, 2008; Poirier et al, 2006). This effect can be compounded by obesity and diabetes which interfere with circulation and metabolism and may even lead to infection (Merck medical library, 2008; Poirier et al, 2006). Atherosclerosis can be recognised histologically when arterial walls creates endocrine signals that cause monocytes and T cells to accumulate within the affected artery. Monocytes and T cells move into the wall of the artery where they are signalled to turn into another type of cell, foam cells. Foam cells accumulate cholesterol and trigger growth of smooth muscle cells in the artery wall. These foam cells form patchy deposits and are cove red with a fibrous cap. Over time calcium accumulates in these plaques. Plaques normally form where the arteries branch and over time cause such a stress upon the cardiovascular system that it may suddenly fail (usually bought on by a combination of high blood pressure, bad diet and obesity) or a major blockage may form causing a stroke (Merck medical library, 2008; Poirier et al, 2006; Diet, nutrition and the prevention of chronic diseases, WHO, 2003; De Lorgeril et al 1999; BBC heath website).

Art as Nazi Propaganda

Abby Hutt HUM 324 1 December 2008 Art as Propaganda in Nazi Germany Having been an artist himself, Hitler understood the potential power of imagery in moving the masses. â€Å"We shall discover and encourage the artists who are able to impress upon the State of the German people the cultural stamp of the Germanic race . . . in their origin and in the picture which they present, they are the expressions of the soul and the ideals of the community† (Hitler, Party Day speech, 1935, qtd. Nazi Approved Art).It is true that, with every culture throughout history, art represents â€Å"the ideals of the community,† but it is clear that during the Third Reich, these â€Å"ideals† were controlled by the Nazi Party. Hitler transformed the role of the artist to promote Germany and glorify the nation and his own ideals. Artists who did not comply with Hitler’s ideals risked their life, and therefore, there is an absence of social realism in German art during this time. The artists of Nazi Germany commonly depicted beautiful pastoral scenes, the heroism of German soldiers, the â€Å"volk† (common folk) as Aryans in peaceful settings, and the evils of the Jewish people.These kinds of stereotypes were useful in art, in that they were extremely simplistic, and therefore easily interpreted by the masses. Even the uneducated, the people who couldn’t read, could view these kinds of paintings and sculptures and understand them, but more importantly, could be moved by them. In the early twentieth century, there were radical changes being made in the art world. Modern movements such as Cubism, Dadaism, Surrealism, and Expressionism were not easily understood by the masses. They were not universally appreciated, and in fact, seen as â€Å"elitist† by many, or even â€Å"degenerate† by others.Max Nordau, a physician and social critic, wrote Degeneration, in which he attacks â€Å"degenerate† modern art. â€Å"Such a style of painting may be compared to the disconnected speech of a weak mind, who chatters according to the current of the association of ideas, wanders in his talk, and neither knows himself, what he wishes to arrive at, nor is able to make it clear to us† (Nordau 84). Nordau presents several case studies of artists and writers, his main point being that society is degenerating and that it is both partially caused by and reflected in modern art.Despite being Jewish, and using anti-semitism as an example of degeneration, Nordau’s â€Å"scientific† attack against modern art, and the phrase â€Å"degenerate† was recycled by the German Nationalist Socialists in order to promote their own style of art as propaganda. It is clear that the artists of the Third Reich did not â€Å"wander† in their message, and knew precisely what they wanted to make clear to the public. Hitler expressed his disgust with modern â€Å"degenerate† art, â€Å"As for the degene rate artists, I forbid them to force their so-called experiences upon the public.If they do see fields blue, they are deranged, and should go to an asylum. If they only pretend to see them blue, they are criminals, and should go to prison. I will purge the nation of them† (Hitler, qtd. Gardner 110). This is a perfect example of the way in which Hitler adjusted the intellectual level of his message in order to appeal to the masses. Yourman identifies one of the major propaganda techniques of the Nazi party as â€Å"name-calling. † â€Å"’Name calling’ is a device to make us form a judgement without examining the evidence on which it should be based. Here, the propagandist appeals to our hate and fear† (Yourman 149).Hitler calls modern artists deranged, degenerate, criminals. It seems that, during this time, modern art was not widely understood by the public, and it is for this reason that Hitler was easily able to persuade the masses into both fearin g and hating this type of art, as well as accepting the more realistic and simplistic Nazi propaganda. In September of 1933, Reichskulturkammer (Reich Culture Chamber) was established. Within the chamber, subgroups were established for music, film, literature, and visual arts, consisting of racially pure artists who would promote the Third Reich.In 1937, the Haus der Kunst (â€Å"House of Art†) was erected by the Third Reich, in order to showcase the finest German art approved by the Third Reich. It was to hold two annual juried art shows, called â€Å"The Great German Art Exhibition† and â€Å"The German Architecture and Crafts Exhibiton. † July 16th was declared the â€Å"Day of German Art,† an annual holiday to coincide with the exhibitions (Kasher 53). At the opening of the Huas der Kunst, Hitler gave a speech in which he declared, â€Å"†¦the artist does not produce for the artist, he produces for the people, just as everybody else does! And we are going to take care that it will be the people who from ow on will again be called upon as judges over its art†¦. For an art that cannot count on the most joyful and most heartfelt assent of the healthy, broad masses of the people, but relies on small, partly interested, partly disingenuous cliques, is intolerable† (Hitler, qtd. Werckmeister 337) Again, Hitler was appealing to the masses by portraying Nazi propaganda as the art of the people. He convinces them that they are the true judges of art, instead of the â€Å"elitist† modern artists. The Reich Culture Chamber held a Degenerate Art exhibition in Munich at the same time as The Great German Art Exhibition.After seizing about 17,000 works of art from German museums, they displayed about 600 of them in their famous in the exhibition. â€Å"Exhibition organizers surrounded the paintings and sculpture with mocking graffiti and quotations from Hitler's speeches, designed to inflame public opinion against this â€Å"decadent† avant-garde art. Ironically, the exhibition attracted five times as many visitors (36,000 on one Sunday alone) as the equally large â€Å"Great German Art Exhibition† of Nazi-approved art that opened in Munich at the same time† (Philadelphia Museum of Art).Arno Breker was â€Å"the official state sculptor† of the Third Reich. He had studied sculpture in Paris and Berlin, and he was discovered by the Nazi Party, when his sculpture Decathlete came in second in the sculpture competition for the 1936 Olympics in Berlin. After being appointed by Hitler as official state sculptor, he was given a studio and assistants. The majority of Breker’s works consist of muscular male nudes that were meant to symbolize a nation young, natural, healthy, and moral†¦Ã¢â‚¬  (Kasher 10). One of Breker’s most famous works is Die Partei, a statue meant to represent the spirit of the Nazi party.Heinrich Hoffman was considered the leading Nazi ph otographer. He was a friend of Hitler’s and he documented the rise of the Nazi party. He was eventually appointed by Hitler as a national photojournalist, with the â€Å"exclusive right to issue photographs of Hitler† (Kasher 17). He ran his own business, hired other photographers, published several photobooks glorifying the Nazi party, and distributed photographs to the press, which did the same. One of the most successful forms of Nazi propaganda, however, seemed to be the Nazi Party posers, which exhibited â€Å"volkisch† thought, appealing to the â€Å"common people. Hitler was shown in posters, as somewhat of a mystical figure, guiding the destiny of the people of Germany. â€Å"The essentially negative anti-parliamentarianism of Nazi propaganda led to the projection of the ‘Fuhrer-myth', which depicted Hitler as both charismatic superman and man of the people† (Welch). Many paintings and posters portrayed Hitler in the ‘renaissance pose ', with one knee up, with the slogan â€Å"Ein Volk, ein Reich, ein Fuhrer† (â€Å"One People, One Nation, One Leader†).Beginning in the late 1930s, the tone of Nazi propaganda reflected the increasingly radical view of anti-semitism. â€Å"The Jewish stereotypes shown in such propaganda served to reinforce anxieties about modern developments in political and economic life, without bothering to question the reality of the Jewish role in German society† (Welch). The transition from the popularity of avant-garde visual arts in Germany to the art of the Third Reich, is somewhat symbolic of the entire manner in which Hitler gained control over Germany.His words from Mein Kampf foreshadow this, â€Å"The greater the mass it is intended to reach, the lower its purely intellectual level will have to be† (Hitler, qtd. Asheville 464). Hitler understood the power of imagery in persuading the German people, especially the uneducated. The uneducated could understand the simplistic style and subject matter of the art of the Third Reich. The Nazi Party played off of the fears of the German people, which was why the demoralization of modern art and the glorification of the Nazi Party was so successful in Nazi Germany.Works Cited â€Å"Degenerate Art. † Philadelphia Museum of Art. 2008. . Forster, E. M. Commonplace Book. Standford: Stanford University Press, 1985. Heskett, John. â€Å"Art and Design in Nazi Germany. † History Workshop, No. 6 (1978), pp. 139-153. Oxford University Press Stable. Ramsey Library University of North Carolina. (Nov. 26, 2008) . Kasher, Steven. â€Å"The Art of Hitler. † October, Vol. 59, (Winter, 1992), pp. 48-85. The MIT Press. Ramsey Library University of North Carolina. (Nov. 26 2008) . Nordau, Max. Degeneration. New York City: D.Appleton and Company, 1895. Welch, David. â€Å"Nazi Propaganda. † World War II. BBC. . Werckmeister, O. K. â€Å"‘Degenerate Art': The Fate of the Avant-Ga rde in Nazi Germany. † The Art Bulletin 79. n2 (June 1997): 337(5). Academic OneFile. Gale. Univ of North Carolina Asheville. 26 Nov. 2008. . Yourman, Julius. â€Å"Propaganda Techniques Within Nazi Germany. † Journal of Educational Sociology. Vol. 13, No. 3, Education Under Nazism (Nov. , 1939), pp. 148-163. American Sociological Association. Ramsey Library University of North Carolina. (Nov. 26 2008) .